Bluegrass artist Ashleigh Graham officially makes her full-length debut today with the release of I’ll Just Drive.

In the video, Emily Ann portrays the nonstop life of a working parent with household messes, job stress, and a never-ending to-do list with a wink and a smile. Roberts' down-to-earth energy and authenticity shine through, making the video both relatable and entertaining.

Country music hitmaker Clay Walker has released his brand new music video, “Cowboys in Heaven,” today, his first new music video in several years. The video, filmed on Walker’s own Texas ranch, is a powerful tribute to love, loss, and the enduring spirit of the American cowboy.

Written by Harry Clark and Cory Walker, “Bend in the Road” started as a slow-burn idea and found its groove the way the best songs often do — with patience, a little humor, and a nod to family history.

The twelve-track collection blends newly written originals with fresh takes on classic country favorites. Singles from Highfalutin Hillbilly have been featured by Country Evolution, Think Country, The Bluegrass Situation, The Hollywood Times, My Kind of Country, and Cowboys & Indians.

Growing up in the North West of England, Nashville represented to me what I imagine Hollywood represents to aspiring actors. A mythical land that seems both untouchable and utterly irresistible. ‘My American heroes sang about cowboys and horses, desperados and drifters; but I write and sing about what I see from my own window and how it feels from my point of view.’ - Rob Wheeler

Wanting to bring something unique and meaningful to the table, Jurgensmeyer pitched a concept centered around the color red – a symbol that took on a deeper significance as the writing process unfolded.

Like a sonic sunset as the horizon shrinks in the rearview mirror, Shelton sings nostalgically of all those he misses while out on tour. The warm, familiar tone of the piano and the twangy lilt of the pedal steel guide the listener across the country with their heart still tethered at home

Pays tribute to the people and place that shaped her in her brand-new single, “Hall of Fame” — out today! Karissa returns to her roots in this emotionally rich track that honors the everyday heroes in small-town America — from teachers and coaches to factory workers and neighbors who left a lasting mark on her heart.

A song Billboard stated as “essential listening from one of bluegrass music’s most-lauded groups,” the GRAMMY-nominated ensemble Sister Sadie broke new ground with a somber yet uplifting exorcism of the generational trauma of domestic abuse.

Bluegrass phenom Wyatt Ellis shovels coal into the firebox of tradition with his new single, “Choo Choo Coming,” a high-octane version of the 1957 classic, arranged, performed, and produced with his unique spin. Ellis breathes new life into the track, and in the process, unveils his stellar touring band. “Choo Choo Coming” is the East Tennessee native’s first release featuring vocals.

Red Camel Collective is keeping their momentum sky-high with the announcement of their newest radio single “Dare to Dream,” from their chart-topping self-titled debut album. Featuring the talents of Heather Berry Mabe, Tony Mabe, Johnathan Dillon, and Curt Love, the fast-rising group continues to win over fans and industry tastemakers alike.

With the arrival of the Internet, the music distribution landscape began to change rapidly. Digital downloads emerged as an alternative to physical purchases. Platforms like iTunes allowed consumers to buy and download individual tracks, changing the way people consumed music.

Allie Colleen, recognized for her unforgettable voice and powerful gift for songwriting, has released her first single for the year, “Mahogany Teakwood.” The very intimate and personal song was self-penned by Allie Colleen and produced, mixed and engineered by Dave Pahanish in Nashville with Sol Philcox Littlefield adding his special touch on acoustic guitar.

Philadelphia-based indie rock quartet Mo Lowda & the Humble give up on a cat-and-mouse love affair on dark, stormy tune, "Northside Violet" out now. With thunderous drums, fuzzy, distorted guitars and a fiery attitude, the band triumphantly close the book on an on-again-off again flame.

With its purposeful position as song one on side one, “Back At The Start” sets the rich tone for the album, embodying a rhythmic and soulful shadowy shuffle written during the pandemic, junked, and then reclaimed. The murky yet pulsating track sees Griffin probing the idea of letting go of the stories we tell ourselves.